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| Buster Keaton and Marceline Day |
sábado, 30 de marzo de 2013
I'm not in love-Peggy Lee
I'm not in love, so don't forget it
It's just a silly phase I'm going through
And just because I call you up
Don't get me wrong, don't think you've got it made
I'm not in love, no-no
(It's because...)
I like to see you, but then again
That doesn't mean you mean that much to me
So if I call you, don't make a fuss
Don't tell your friends about the two of us
I'm not in love, no-no
(It's because...)
(Be quiet, big boys don't cry)
(Big boys don't cry)
(Big boys don't cry)
(Big boys don't cry)
(Big boys don't cry)
(Big boys don't cry)
(Big boys don't cry)
It's just a silly phase I'm going through
And just because I call you up
Don't get me wrong, don't think you've got it made
I'm not in love, no-no
(It's because...)
I like to see you, but then again
That doesn't mean you mean that much to me
So if I call you, don't make a fuss
Don't tell your friends about the two of us
I'm not in love, no-no
(It's because...)
(Be quiet, big boys don't cry)
(Big boys don't cry)
(Big boys don't cry)
(Big boys don't cry)
(Big boys don't cry)
(Big boys don't cry)
(Big boys don't cry)
keep your picture upon the wall
It hides a nasty stain that's lyin' there
So don't you ask me to give it back
I know you know it doesn't mean that much to me
I'm not in love, no-no
(It's because...)
Ooh, you'll wait a long time for me
Ooh, you'll wait a long time
Ooh, you'll wait a long time for me
Ooh, you'll wait a long time
I'm not in love, so don't forget it
It's just a silly phase I'm going through
And just because I call you up
Don't get me wrong, don't think you've got it made, ooh
I'm not in love, I'm not in love...
It hides a nasty stain that's lyin' there
So don't you ask me to give it back
I know you know it doesn't mean that much to me
I'm not in love, no-no
(It's because...)
Ooh, you'll wait a long time for me
Ooh, you'll wait a long time
Ooh, you'll wait a long time for me
Ooh, you'll wait a long time
I'm not in love, so don't forget it
It's just a silly phase I'm going through
And just because I call you up
Don't get me wrong, don't think you've got it made, ooh
I'm not in love, I'm not in love...
miércoles, 27 de marzo de 2013
Lullaby Of Birdland-MEL TORME
Lullaby of birdland
That's what I, always hear,
When you sigh,
Never in my wordland could there be ways to reveal
in a phrase how I feel
Have you ever seen two turtle doves
Bill and Coo, when they love?
That's the kind of magic music we'll make with our lips
When we kiss
And there's a weepy old willow
He really knows how to cry,
That's how I'd cry on my pillow
If you should tell me farewell and goodbye
Lullaby of birdland whisper low
Kiss me sweet, then we'll go
Flying high in birdland, high in the sky up above
(All because) We're in love
When I hear that lullaby of birdland
Crazy swinging lullaby of birdland
All it seems to do is just remind me
That I am oh so in love I don't know what to do
When I hear that lullaby of birdland
Crazy swinging lullaby of birdland
All it seems to do is just remind me
Of the nights that I spent loving you
Lullaby of birdland whisper low
Kiss me sweet, then we'll go
Flying high in birdland, high in the sky up above
And now I've, discovered just why
I'm so much in love, so much in love, baby with you
Lullaby of birdland
That's what I, always hear,
When you sigh,
Never in my wordland could there be ways to reveal
in a phrase how I feel
Have you ever seen two turtle doves
Bill and Coo, when they love?
That's the kind of magic music we'll make with our lips
When we kiss
And there's a weepy old willow
He really knows how to cry,
That's how I'd cry on my pillow
If you should tell me farewell and goodbye
Lullaby of birdland whisper low
Kiss me sweet, then we'll go
Flying high in birdland, high in the sky up above
(All because) We're in love
When I hear that lullaby of birdland
Crazy swinging lullaby of birdland
All it seems to do is just remind me
That I am oh so in love I don't know what to do
When I hear that lullaby of birdland
Crazy swinging lullaby of birdland
All it seems to do is just remind me
Of the nights that I spent loving you
Lullaby of birdland whisper low
Kiss me sweet, then we'll go
Flying high in birdland, high in the sky up above
And now I've, discovered just why
I'm so much in love, so much in love, baby with you
Lullaby of birdland
martes, 26 de marzo de 2013
Exhiben trajes icónicos de Hollywood. El vestuario de películas como "Lo que el viento se llevó", "El Mago de Oz" y "Kill Bill", son expuestas en Londres
La exposición "Hollywood Costume", presentada hoy y que se inaugura el sábado, ha reunido 130 trajes y complementos de los personajes más icónicos en cien años de historia del cine para insistir en el papel desapercibido pero fundamental de los diseñadores de vestuario en el séptimo arte.
En una enorme pantalla y a través de un montaje con escenas de películas, Scarlett O'Hara, Tony Manero, Charlot o Marilyn dan la bienvenida a una muestra que se augura uno de los éxitos del otoño museístico de la capital británica.
"Estamos hablando de un siglo de historia de Hollywood, desde los clásicos de la Edad de Oro hasta los grandes éxitos de la ciencia ficción. Da igual cual sea tu edad, vas a recordar algún momento mágico vivido en la oscuridad de una sala de cine", explicó su comisario, Keith Lodwick.
En tres oscuras salas se pueden ver uno de los elegantes modelos que lucía Kate Winslet en "Titanic", el Givenchy negro de Audrey Hepburn en "Desayuno con diamantes" (Breakfast at Tiffany's), las mallas de Batman o la capa de Harry Potter.
Los modelos, colocados en maniquíes creados para cada diseño, están acompañados de bocetos, fragmentos de los guiones y escenas de las películas que ayudan a entender la influencia del vestuario en el resultado final de las historias.
La oscarizada Meryl Streep, a la que se le dedica un apartado especial con los trajes de cinco de sus películas, reconoce en una entrevista hecha para la exposición que "en cada filme, el vestuario es la mitad de la batalla a la hora de crear un personaje" .
La exposición insiste en que la tarea del diseñador de vestuario se ve reflejada en las grandes superproducciones de época, pero también en películas aparentemente sencillas donde la labor es más imperceptible.
La relación entre el director y el diseñador se pone de manifiesto de manera muy clara con el vestido verde de la veterana Edith Head que Tippi Hedren lució en "Los Pájaros" (Birds) de Alfred Hitchock.
El mago de suspense estaba obsesionado con que no distrajera la atención del espectador, al tiempo que debía tener un color que no cansara ya que la protagonista luce el mismo modelo toda la película.
Traer hasta Londres estos 130 modelos ha supuesto una labor de cinco años que sus responsables califican de "caza de tesoros" y con la que han conseguido hacerse con piezas llegadas de todo el mundo, propiedad de coleccionistas particulares, estudios y museos.
El tesoro más difícil de conseguir es una de las estrellas de la exposición: los zapatos rojos de lentejuelas de Dorothy en "El Mago de Oz" (The Wizard of Oz).
Los responsables de la muestra tardaron tres años en convencer a los dueños de uno de los pares que Judy Garland utilizó en el rodaje para que los dejaran salir de Estados Unidos por primera vez, si bien dentro de cuatro semanas volverá al Museo Nacional de la Historia de América de Washington.
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